Jamie

Wolfond

Studio

Jamie Wolfond Studio designs furniture, lighting, and everyday tools for consumer brands, spaces, and private clients.

Jigsaw Shelf

Exhibition

Fels

2023

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The Jigsaw Shelf challenges the conventional relationship between utility and decoration. A unique adaptation of a traditional knock-down joint gives the shelf modularity, allowing it to be assembled in two, three, or four-shelf heights. At the same time, the joint divides the shelf into parts, creating a bold, almost psychedelic pattern. The result gets its conceptual tension from these opposing points of view – one pragmatic, and the other, fairly silly.

The Jigsaw Shelf was our contribution to The Farm Shop, an exhibition Curated by Marco Campardo, Guan Lee and Luca Lo Pinto for London Design Festival and Frieze Art Fair.

  • materials

    pine

  • 2 shelf

    35 x 105 x 114 cm

  • 3 shelf

    35 x 105 x 164 cm

  • 4 shelf

    35 x 105 x 214 cm

Liquid Nails Vases

Exhibition

Superhouse

2023

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The Liquid Nails Vases are made from anodized aluminum and synthetic clay. The panels are mechanically attached by clay — a connection method which comes with “free” decoration.

  • materials

    Aluminum, Epoxy clay

  • dimensions

    13 x 13 x 25 cm

Beaded Network

Installation

SAVSAV

2023

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We were approached by a Montreal-based creative agency to design and produce a chandelier for a local coffee shop, nightclub and event space. To accommodate the space’s myriad functions we created a piece that is not so much a light as it is a thing which interacts with light. Comprised of 40,000 handmade glass beads, the installation acts as a vessel for light, creating a unique composition of reflective and transparent forms depending on the angle from which it is viewed. During the day, the chandelier accepts sunlight from the industrial building’s soaring windows, and at night the piece responds to a synthetic light source which hangs above it.

  • materials

    Handmade glass beads, White Oak, Waxed cord, LED assembly

  • dimensions

    190 x 190 x 400 cm

  • photos

    JWS, Audrey-Eve Beauchamp

Y-Lamp

Product

Floyd

2022

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Y-Lamp is a floor lamp made from a tubular steel frame and a paper reflector. The lamp’s post is composed of three steel tubes which diverge on either end. On one end they form a base, and on the other end they support a spotlight and reflector. The paper, which is made from a combination of bamboo and mulberry fibre, is both reflective and transmissive, allowing the Y-lamp to produce both direct and ambient light with a single light source.

  • [materials]

    Paper, Steel

  • [assembled]

    58 x 50 x 165 cm

  • [packed]

    17 x 56 x 150 cm

  • [photos]

    Sean Davidson

Balloon Lamp

Product

Matter Made

2021

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Born from a series of intuitive experiments with balloons and wire, The Balloon Lamp collection revolves around the relationship between a blown glass globe and steel frame.

  • [materials]

    steel, glass

  • [table]

    33 x 27 x 51 cm

  • [floor]

    33 x 27 x 137 cm

  • [sconce]

    30 x 27 x 25 cm

Flash Set

Exhibition

Matter

2022

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This body of work started with an observation. I noticed a boulder which had lichen growing on it, but only where the sun could not reach. The result was a frozen shadow, a fixed image which would always imply the direction from which the sun originally hit the rock, even after the sun went down.

The pieces that comprise Flash Set use the same principle to translate a form into an image. We carved gypsum cement using one of a few basic tools, and spray painted it from a hard angle. The resulting objects are more similar to still life photos than sculptures, using the impression of light to transform a composition of marks into a picture.

We created three standard typologies (a wall-mounted piece, a large vessel, and a small vessel) to use as a framework for our research. Each piece represents a different experiment, elaborating on the one before by slightly altering the tool, process, or sequence of steps used to make it. The result is a grid of interconnected ideas, documenting the evolution of an improvised craft.

  • [materials]

    gypsum cement, spray paint

  • [dimensions]

    various dimensions

  • [photos]

    Sean Davidson

Caterpillar Tables

Exhibition

Erin Stump Projects

2022

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In early 2022, we curated Slanted/Enchanted, an exhibition which celebrated improvised production techniques. Twenty international artists and designers each contributed an object which was made without outsourcing or digital fabrication. The exhibition took place at ESP in Toronto.

Our contribution was the Caterpillar Tables, a series of coffee tables made using a mechanical substitute for the industrial process of bent lamination. Standard hardware sandwiches the tables’ perforated legs and plywood rails, creating a composite structure. Varying the distance between perforations in the rails controls the curvature of each table base. The form of each base speaks to its respective top, a tempered-glass tractor windshield. Caterpillar Tables possess an idiosyncratic kind of rationality, reflecting the small workshop and basic tools with which they were made.

Exhibition participants include Adrianus Kundert, Calen Knauf, Castor, Chris Kabel, dach&zephir, Earth Landing Project, Evey Kwong, Jamie Wolfond, Joyce Lin, Julian Gregory, Keillor MacLeod, Klemens Schillinger, Marco Campardo, Maria Hupfield & Kathryn Walker, Rebecca Sun Collins, Shigeki Fujishiro, Sina Sohrab, Studio Satël, Théo Leclercq & Camille Viallet and Tom Chung.

  • [materials]

    birch aircraft plywood, pine, tractor windshields, hardware

  • [small]

    70 x 72 x 42 cm

  • [medium]

    109 x 85 x 42 cm

  • [large]

    150 x 91 x 42 cm

  • [photos]

    Sean Davidson

Type Vases

Product

Gilda Editions

2021

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The Type Vases are a series of five characters made by cutting and welding together sections of stock brass tubing. The result is neither entirely handmade nor industrial, speaking a unique language that exists in between.

  • [materials]

    brass

  • [dimensions]

    various dimensions

Kapla Shelving System

Prototype

JWS

2020

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Named after the open-ended Dutch building toy, the Kapla Shelving System is a modular shelving unit defined by a solid wood frame and aluminum shelves. Five simple components can be combined in various configurations to form shelving units of two heights and infinite lengths. The Kapla Shelving system is an adaptable and strikingly clean solution for homes and offices alike.

  • [materials]

    aluminum, douglas fir

  • [shelf height]

    35 cm

  • [module width]

    116 cm

  • [shelf depth]

    24 cm

  • [photos]

    Mike Tjioe

Tool Basket

Exhibition

Karimoku

2021

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Co-organized with Adrianus Kundert in the spring of 2020, Basketclub is a digital environment where designers and craftspeople exchange ideas about basketry.

In late 2020, Japanese furniture manufacturer, Karimoku invited Basketclub to take part in the inaugural exhibition at its Tokyo Showroom. Twelve members of Basketclub created pieces which respond to the uses behind traditional Japanese woven baskets such as carrying, drying, storing, cooking and cleaning.

Our contribution was the Tool Basket. Constructed using Kagome, a traditional Japanese triaxial weaving technique, the Basket features the unexpected intersection of a traditional basket and a toolbox-like handle. The result a unique container which is both useful and evocative.

  • [materials]

    reed, analine dye

  • [dimensions]

    35 x 35 x 41 cm

Owl Lamp

Prototype

JWS

2018-2020

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The Owl Lamp applies a rudimentary physical principle to create a sophisticated type of motion. As a person turns the stem, a flexible hose transmits rotary force to the shade which enables it to infinitely orbit a stationary light source. The rotation of the shade continuously transforms the direction and character of the lamp.

The Owl Lamp was born from an extensive iterative process, originating from a curiosity for drinking straws and flexible driveshafts.

  • [materials]

    aluminum, vinyl, nylon, hardware

  • [dimensions]

    163 x 102 x 51 cm

  • [photos]

    Mike Tjioe

2×2 Organizer

Product

Ferm Living

2020

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Each unit that comprises the 2×2 Organizer series is made by folding two sheets of metal two times and welding them together. The result is a simple set of office storage modules with the inherent ability to register when stacked.

  • [materials]

    steel

  • [dimensions]

    23 x 13 x 28 cm

Thread Lamp

Exhibition

Erin Stump Projects

2020

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Aluminum Group was a design exhibition which took place at Toronto’s ESP gallery during design week. Co-organized with MSDS Studio, the show saw 15 Canadian designers come together to create a collection of machined aluminum objects. Including both practical prototypes and pieces of sculpture, the show covers diverse range of themes unified by a single medium.

Our contribution was the Thread lamp. An upward-facing light source bounces off a milled aluminum shade to emit a bright but indirect glow. Threads on the lamp body make it easy to adjust the shade height, changing the angle and intensity of the bounced light.

  • [materials]

    aluminum

  • [dimensions]

    38 x 38 x 33 – 43 cm

  • [photos]

    Mike Tjioe

Supermug

Product

EQ3

2019

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The Supermug’s double walled design keeps its outer surface cool to the touch, while its open bottom and tapered form allows for easy stacking. The inner cup is elevated from the table to eliminate the need for a coaster.

  • [materials]

    borosilicate glass

  • [dimensions]

Frog Vase

Prototype

JWS

2019

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The Frog Vase combines the traditional Japanese Kenzan (or flower frog) and the vessel it resides in to yield a succinct tool for arranging flowers.

  • [materials]

    aluminum

  • [dimensions]

    18 x 15 x 2 cm

  • [photos]

    Mike Tjioe

Diametric Jug

Prototype

JWS

2019

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Two seemingly opposing schools of thought come together to form the Diametric Jug. While the relationship between the handle and the body of the jug refers to ancient pottery, the geometric treatment and tubular nature of the jug’s form bears resemblance to those of the Bauhaus movement.

  • [materials]

    stoneware

  • [dimensions]

    29 x 14 x 22 cm

  • [photos]

    Jeroen van der Wielen

Arid Umbrella Stand

Product

Good Thing

2017

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The Arid Umbrella Stand takes advantage of the inherent properties of terracotta. The material is naturally absorbent, wicking away moisture from wet umbrellas inside the container, allowing them to dry rapidly.

  • [materials]

    terracotta and cork

  • [dimensions]

    13 x 20 x 33 cm

Split Bench

Exhibition

Sight Unseen

2017

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A heavyweight indoor / outdoor steel structure highlights the inherent beauty of galvanization, a finishing method found on highway guardrails and lampposts. Its patchy iridescent pattern adds a bit of variety to an otherwise strictly geometric object. Collaboration with Sigve Knutson.

  • [materials]

    steel

  • [dimensions]

    43 x 131 x 32 cm

Balance Pipe

Product

 Tetra

2015

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The Balance Pipe is a dry herb smoking pipe designed to create a contemporary answer to the heavily stigmatized archetype traditionally hidden in the backs of bodegas and delis. The Pipe’s chamber is pierced by a stem which encompasses both its mouthpiece and its carb, a hole used to clear the chamber once filled.

  • [materials]

    borosilicate glass

  • [dimensions]

    11 x 4 x 3 cm

About

Everything designed at Jamie Wolfond Studio starts with an observation about the material world. It could be a car’s differential mechanism, a bendy straw, or a patch of lichen that grows only on the shady side of a rock.

We follow our curiosity by conducting hands-on experiments with materials in the studio. We often find ourselves somewhere completely different from where we started, and we see that as a good thing. We hit dead ends and leave ideas on the shelf until one of our experiments asks to be developed into a useful object.

We collaborate with skilled tradespeople to resolve each design. By allowing the strengths of our producers to influence our work, the Studio designs objects that are inherently suited to production — things that want to be made.

The results of this process are at once exceptional and familiar, both reflecting and transforming common elements of material culture.

Photos: Kirk Lisaj

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